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Women’s Position in the Works of Reza Abbasi (The Safavid painter and the Founder of Isfahan School of Painting)

عنوان مقاله: Women’s Position in the Works of Reza Abbasi (The Safavid painter and the Founder of Isfahan School of Painting)
شناسه ملی مقاله: ICOAC01_106
منتشر شده در ششمین کنفرانس بین المللی اقتصاد، مدیریت و علوم مهندسی در سال 1394
مشخصات نویسندگان مقاله:

Hamidreza Sharbafian - PhD in History of Art International University of Armenia Yerevan State University

خلاصه مقاله:
This research investigates Reza Abbasi’s role in changes in paintings in the history of Iran with the aim of studying his life and painting style as a famous artist and the founder of Isfahan schoolof painting. The changes in paintings had lots of opponents from among the courtiers and artists during Reza Abbasi’s age. The most important deconstruction of Reza Abbasi was the attention he would pay to women in his works and independent painting of women with a central role. Thewomen who despite forming half of population were either not present or had a peripheral role inpaintings before Reza Abbasi’s. Although this deconstruction would show Reza Abbasi as a philanthropist and committed, it entailed social consequences for him. This research investigatesthe role of Reza Abbasi as a pioneer and deconstructive artist who paid attention to women inpaintings of Iran.

کلمات کلیدی:
Reza Abbasi,Isfahan school, Woman,Painting,social

صفحه اختصاصی مقاله و دریافت فایل کامل: https://civilica.com/doc/480546/